
Drawing their eclectic vibe from the likes of Holy Ghost!, Tame Impala, and the trailblazing sounds of Hot Chip, Justice, and Foals.
Their name isn't just a moniker—it's a manifesto for breaking free from the mundane.
Dive into their harmonious, groove-laden downtempo synth-pop and find your own sweet escape.






Press & Media
Premiered singles in leading outlets including Clash Magazine, GIGSLutz, and Fresh On The Net.
Premiered on major radio platforms including BBC Wales, BBC London, BBC 6 Music, and Amazing Radio.
Featured in NME, Evening Standard, ComeHereFloyd, PhaceMag, RAW RAMP, Higher Plain Music, and Turtle Tempo.
Live Highlights
Longlisted for the Glastonbury Emerging Talent Competition (2016).
Performed across London, the UK, and Europe at venues and festivals including The Lexington, Scala, Cargo, Sebright Arms, The Macbeth, How The Light Gets In (UK), LAB Festival (Portugal), and All Points East (UK).
Shared stages with a range of rising UK indie and electronic acts.
Releases & Recognition
Debut album In-Flight Entertainment (2021), recorded at Rockfield Studios and mixed at Air Studios, London.
Acclaimed singles including Bullet, Heart of Stone, and Let’s Start Again.
Growing success with thousands of streams across Spotify and other major platforms.
Creative Collaborations
Worked with producer/engineer Laurence Anslow (Rockfield Studios – Wales, Air Studios – London, Evergreen Studios – L.A.).
Album mastered by Ray Staff (Led Zeppelin, The Rolling Stones, The Clash, Black Sabbath, Muse).
Collaborated with producer/engineer Rob Wilkes (Lianne La Havas, Peter Perrett, Foals, The Kooks, Florence & The Machine).
Influenced by and compared to leading acts including Hot Chip, Foals, Roosevelt, and Jungle.
Prepare for takeoff with "In-flight Entertainment," Fortnight In Florida's electrifying debut album! Packed with a dozen tracks, this album is your ticket to the band's unique sonic universe. Influenced by the likes of Toro Y Moi, Holy Ghost!, and Hot Chip, get ready to groove to instant hits like "I Can't Wait Forever" and "Breathe" or lose yourself in the deep reflections of "Sit Right", "Searching for Something", and "Bullet" Fasten your seatbelts – it's going to be a thrilling ride!

Recorded at Snap Studios in London, So Long marks the debut EP from Fortnight in Florida—an infectious introduction to their sleek brand of synth-pop. Balancing shimmering production with undercurrents of emotional depth, the EP blends optimism and melancholy in equal measure, showcasing a confident new voice in the alt-pop landscape.

Built on an odd time signature, this track blends retro sounds with a dark, futuristic tone. Recorded with live strings in an abandoned studio, it draws on vintage synth textures and noir-like moods to create a sense of uneasy nostalgia, trapped somewhere between past and future.

Written immediately following a long weekend in Ibiza, Let’s Start Again is a song about embracing new beginnings, taking chances, and starting afresh after a setback with a wink to Balearic beats.

Searching for Something is about believing in your abilities and your right to fulfil your ambitions regardless of the chance of perceived success - the true success is in the journey itself and the people who hold our hands along the way

Inspired by the documentary ‘Amy’, Bullet is a tale of recovery and redemption in a world filled with vice and temptation.

Heart Of Stone is our anthem that reminds us—life's one grand chance is now, and we must chase our dreams without reservation.

A heartfelt and emotional song that speaks to the unwavering support, love, and loyalty one person can have for another, capturing the essence of standing by someone's side through thick and thin, no matter what.

Breathe is a story about learning to accept the loss of someone close to you, in the hope that you can meet up in the dream world. The notion that as long as we harness the love for that person and never forget them.

Set in a timeless yet simplified version of our own world, it is one man's last-ditch effort to declare his love for the woman in the red dress, who we think might have stood him up the next time they were due to meet.

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